CAUGHT STEALING
Way, way, way back in the late 90s, just as I was beginning to find my feet as part of Hollywood’s workforce and on the back of the wild success of 1994’s PULP FICTION (budget of $8M, box office receipts of $213M and seven Academy Award nominations… not bad if you can possibly repeat the magic, eh?), we were inundated with next-big-thing “auteurs” inclu…
Keep reading with a 7-day free trial
Subscribe to Kate Wilson has Zero Fucks Left to Give to keep reading this post and get 7 days of free access to the full post archives.