TUNER

Before I get into Daniel Roher’s TUNER and the first performance I’ve personally seen from Dustin Hoffman since Noah Baumbach’s THE MEYEROWITZ STORIES in 2017, if you are to exclude MEGALOPOLIS (which I highly recommend… by which I mean I highly recommend excluding it, not that I highly recommend the film, which was a travesty, obvs…), I have found myse…